Behind Poland and Ukraine’s symbolic feud lies a brutal fight over EU cash, borders, and regional dominance.
At the heart of Polish historical literature, brilliantly adapted for the screen by film director Andrzej Wajda, is a timeless, almost archetypal Slavic narrative. Take Adam Mickiewicz’s poem, ‘Pan Tadeusz’, or Aleksander Fredro’s comedy, ‘The Revenge’. In both cases, we see two noble clans trapped in a shared space – whether within a city or castle walls – selflessly and relentlessly destroying each other over long-held historical grievances, ambitions, and boundary disputes, while the entire ‘security architecture’ around them…
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